- ADOBE LIGHTROOM bad weather Bayer clouds coast colour colours composition contrast contre-jour depth-of-field drama dusk dynamic range extracted f/16 film Fujifilm histogram ISO Landscape Photography LCD Lightroom loch neutral density graduated filters neutral-density-graduated filter overcast rain RAW conversion reality SHARPENING telephoto textural rendering the Fuji switch time tripod twilight vista water workflow X-Pro X-Pro1 X-Pro2 X-T1 X-TRANS
Author Archives: Pete Bridgwood
Landscape photography is all about capturing emotion. Photojournalism and war photography are two genres that are capable of capturing the despair of human suffering and offering up blatant tear-jerking visuals for the unsuspecting. Landscape, along with still life and abstract minimalism, is at the opposite end of the emotive spectrum.
Here’s another RENDER MY RAW™, but this time, with a difference: a RAF file from a pre-production sample of the new Fujifilm X-Pro2. This was a shot captured in the Lakes early in November just before all the devastation from the floods.
Rumour sites have been hot with anticipation for months, eagerly awaiting the release of the successor to the Fujifilm X-Pro1. I’m delighted to reveal that I’ve had the enviable opportunity of shooting landscapes with a pre-release version of the X-Pro2 for the past two months after being invited to contribute to the 100 X-Photographers exhibition […]
With their X-series cameras, Fujifilm are creating the ultimate tools for Landscape Photographers. The soulful images created by X-trans sensors have a characteristic ‘feel’ that’s impossible to achieve using anything else.
Although there are obvious directional differences, the colour palettes of dawn and dusk are essentially identical but sequenced in reverse. Landscape photographers are crepuscular creatures, we tend to function most creatively at twilight, be it dawn or dusk.
Causeway, Holy Island, Northumberland Edward Weston said that “to consult rules of composition before making a picture is a little like consulting the law of gravity before going for a walk”. He felt that adhering too closely to such rules inhibited “freshness of vision” and resulted in “tedious repetition of pictorial clichés”. However, even a cursory […]
Pointing our cameras towards the sun can often create dramatic images. Overall contrast is obviously maximized, but because foreground and middle-ground objects are being illuminated from the other side, they are rendered as desaturated low-contrast silhouettes. There is a controllable degree of textural detail within these shadows, depending on choice of exposure and subsequent digital […]